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Bibliographies Shakespeare: A Bibliographical Guide. Edited by Stanley Wells. Oxford: Clarendon Press, Compiled by David Bevington. Arlington Heights, Ill. The advantage of this bibliography over its rival by Stanley Wells is its breadth: the book is crammed with far more books, essays, and journal articles.
What this bibliography lacks are the short introductory essays that accompany the lists of sources in Shakespeare: A Bibliographical Guide. By Larry S. Toronto: Maxwell Macmillan Canada,
Shakespeare's Sonnets and the Court of Navarre. The Sonnets. Harold Bloom. Dover Wilson. Speech and Performance in Shakespeare's Sonnets and Plays. The Structure of Shakespeare's Sonnets. William Shakespeare: Sonnets and Poems. The World of Shakespeare's Sonnets. Aspects of dramatic form in the English and the Irish Renaissance.
Making Shakespeare : From stage to page. Shakespeare and the popular tradition in the theater : studies in the social dimension of dramatic form and function. Shakespeare's dramatic genres. Shakespeare's Shakespeare : how the plays were made. An A-Z Guide to Shakespeare. The Cambridge Shakespeare Guide. The Cambridge Guide to the Worlds of Shakespeare.
A Dictionary of Quotations from Shakespeare. The Greenwood Companion to Shakespeare. The New Cambridge Companion to Shakespeare. The Oxford Companion to Shakespeare. The Oxford Handbook of Shakespeare. Playing Shakespeare: An Actor's Guide. The Routledge Guide to William Shakespeare.
Shakespeare: A Study and Research Guide. Shakespeare: An Oxford Guide. Shakespeare Handbook. Studying Shakespeare: A Guide to the Plays. A Theatergoer's Guide to Shakespeare. The Cambridge introduction to Shakespeare's history plays. A kingdom for a stage; the achievement of Shakespeare's history plays.
Shakespeare and politics. Shakespeare, the Queen's Men, and the Elizabethan performance of history. Shakespeare's early history plays : politics at play on the Elizabethan stage. Shakespeare's English : language in the history plays. Shakespeare's history plays. Shakespeare's history plays : performance, translation, and adaptation in Britain and abroad. Shakespeare's Holinshed: an edition of Holinshed's Chronicles, ; source of Shakespeare's history. Shakespeare's kings : the great plays and the history of England in the Middle Ages, Shakespeare's political drama : the history plays and the Roman plays.
Shakespeare's political realism : the English history plays. Shakespeare's Roman Plays. Shakespeare's serial history plays. Staging politics : the lasting impact of Shakespeare's histories. William Shakespeare.
The Artist and society in Shakespeare's England. A companion to Shakespeare studies. The crown of life; essays in interpretation of Shakespeare's final plays. Muriel Bradbrook on Shakespeare. Northrop Frye on Shakespeare. Prefaces to Shakespeare. Reinventing Shakespeare : a cultural history, from the Restoration to the present.
Shakespeare and literary theory. Shakespeare and the medieval world. Shakespeare and the theatre of wonder. Shakespeare : contrasts and controversies. The Shakespeare controversy : an analysis of the authorship theories. Shakespeare the craftsman. Shakespeare; the critical heritage. Shakespeare : the seven ages of human experience.
Shakespearean criticism : excerpts from the criticism of William Shakespeare's plays and poetry, from the first published appraisals to current evaluations. Shakespeare's impact on his contemporaries. Shakespearian dimensions. Shakespeare's workmanship. Studies in Shakespeare. William Shakespeare : his world, his work, his influence. The Cambridge companion to Shakespeare on stage. The Cambridge companion to the sonnet. The Elizabethan stage.
Elizabethan stage conditions: a study of their place in the interpretation of Shakespeare's plays. The Oxford illustrated history of Shakespeare on stage. Playhouse law in Shakespeare's world. Recovering Shakespeare's theatrical vocabulary.
Shakespeare and the actors; the stage business in his plays Shakespeare in the theatre, Shakespeare : from stage to screen. Shakespeare's Globe : a theatrical experiment. Shakespeare's mystery play : the opening of the Globe Theatre Shakespeare's theater : a sourcebook. Approaches to teaching English Renaissance drama. How to read a Shakespeare play. Online resources for teaching Shakespeare [electronic resource]. Performance approaches to teaching Shakespeare. Cite Cite VII.
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Since there is very little anecdotal evidence and documentation regarding Shakespeare's early plays, all Shakespeare bibliographies are by their nature inexact affairs Thank you for your interest in Shakespeare Studies.
Edited by Marta Straznicky, Shakespeare's Stationers: Studies in Cultural Bibliography shifts Shakespearean textual scholarship toward a new focus on the earliest publishers and booksellers of Shakespeare's texts. Here's a concise guide to a wealth of information about Shakespeare's plays and sonnets. After the first year, students will be shifted to a graduate teaching assistantship in the English Department, at ….
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Shakespeare bibliography. Stephen Orgel and A. Shakespeare Studies MA and bibliography, along with one optional module. Shakespeare's plays; Title Year written First publications Performances Authorship notes Henry IV, Part 1: Likely early to mid s First published in a quarto by Andrew Wise : Though 1 Henry IV was almost certainly pay for shakespeare studies bibliography in performance by , the earliest recorded performance was on 6 March , when it was acted at Court before the Flemish Ambassador.
Years of experience and endless help with my shakespeare studies annotated bibliography enthusiasm support our spotless reputation. Miranda is utterly under the control of her father, and her subsequent marriage to Ferdinand will most likely lead to a situation of subordination. Thompson, Ann. The article by Thomson is a critical feminist essay on The Tempest.
Thompson focuses on the absence of female characters in the play. She embarks on discovering the ideology of femininity in the play, which paradoxically rejects the importance of female characters despite attributing massive power to female fertility and purity.
Thomson notes that despite Miranda being a subordinate character, her role is crucial for developing events in the play. Munoz, Sophia. Sederi 9 : Munoz looks at the paradoxical nature in which Miranda has been portrayed in the play and the manner in which modern scholars have interpreted her character in the play.
She looks at the new paradigm of Shakespearean studies and presents several views from different writers on the aspect of feminism and the Tempest. She argues that modern studies mainly focus on Caliban as a symbol of the exploited native while ignoring the definite repression of Miranda. Cygan, Lauren. Shakespeare Studies 24 : Cygan looks at how sexism themes exist in these three plays by Shakespeare.
He notes that although Shakespeare used strong-willed women characters in his plays, he endowed them with several weaknesses that made it easier for people to relate to them. He also notes that Shakespeare had the habit of presenting his women characters as vicious, malicious, or spiteful.
Cygan chooses three female characters: Desdemona, Kate, and Miranda, to determine how feminism and sexism can be found in Shakespearean works. Cygan argues that Shakespeare only developed two types of women: virtuous subhuman and deceiving subhuman characters. He also notes that although female characters in his plays can shift from virtuous to deceiving, the opposite never happens. When Cygan looks at the character of Miranda, he notes that Shakespeare has been identified as a primary force behind the feminist movement, with some writers going as far as accusing Shakespeare of raping the identity of women.
He notes that Miranda is too child-like and humanistic, sweet and well-spoken. According to Cygan, Miranda is inexperienced in world views but is not reserved; hence she can communicate with the male characters without being subservient. Barbour, Kathryn. In this article, Barbour explores how Prospero punishes those responsible for the loss of his title as the Duke of Milan and the way he tries to regain his position.
In the article, the terms punishment and power are used in many instances, and Barbour exposes the relationship in which Prospero inflicts emotional punishment for those people in higher ranks like Alonso and the physical punishment he inflicts on lesser beings like Caliban. The thesis of the article is that The Tempest is one of the several plays to explore the relationship between the a visibility of a ruler, his wish to be a compassionate ruler, his ability to retain power, and the means with which that power can be achieved and maintained p.
Renes Cornelis. Whose New World? Universitat de Barcelona : Next, the article looks at the characterization of Caliban as a non-threatening human. The author notes that the film was a victim of fidelity criticism and can serve as a subversive deconstruction of Shakespearean.
Slights, Jessica. In this article, Slight embarks on establishing that political criticisms of Shakespearean plays lack a concrete theoretical basis from which to study female characters as active participants in the fictional worlds in which they inhabit.
The author explores what happens when Miranda is portrayed only as a symbol of the Elizabethan ruling class rather than an active participant in the life-world of the play. Leininger, Lorrie Jerell. Lenz, c. Green, G, and Neely, C. Urbana: University of Illinois, This article looks at the two major themes in the Tempest: feminism and slavery. According to the author, the play was written fifty years after England openly entered the slave trade.
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